Showing posts with label SYTYCD. Show all posts
Showing posts with label SYTYCD. Show all posts

Sonya Tayeh and Christopher Scott, Happy Sigh

Tui and I are in agreement that this group routine, choreographed by Sonya Tayeh (who calls her style of choreography "combat jazz") and Christopher Scott (hip-hop/animation/popping), made what was an otherwise meh SYTYCD season worthwhile. Danced by this season's Top Ten and ten All-Stars. As usual, sorry about the screaming. I also find the spoken message to be CORNY, and as long as I'm listing complaints, the first 1:15 is a continuous shot and the music and the dancing are out of sync by the merest fraction of a beat. ARGH! It's probably unkind of me to point that out to you, actually, but it does a disservice to the dancers, especially the breakdancers (Dominic Sandoval and Emilio Dosal, left to right) and Will Wingfield (the guy with the dreads who goes crazy around 1:00).



Incidentally, the prominence of Marko Germar in this routine (the guy in the blue shirt who's at the center around 1:50) reminds me that in case you're wondering what his old dance partner Melanie Moore is up to – or what Thayne Jasperson is up to – they are both currently being fabulous in Finding Neverland here at the A.R.T. in Cambridge. :o)

Sweet Songs and Dancing

This SYTYCD Top 14 dance, choreographed by Travis Wall and performed by Jessica Richens and Casey Askew, is so lovely and sweet, but every time I watch it, I'm utterly puzzled by the last few seconds. I feel like something must've gone wrong there. Surely it's not supposed to look so much like he's suddenly trying to look up her dress? As always, sorry about the screaming. There was one season (5?) where the producers made the wonderful decision either to make the crowd shut up or to screen out the screams for the television viewing audience, and it was SO nice, but apparently someone has since decided that screeches add to our experience. Blech.



(BTW, if you want more Travis Wall, here's his routine choreographed for the top 7 guys.)

It can be a bit painful to watch a SYTYCD dance if you're familiar with the music, attached to it, and find it uncomfortable to hear it chopped up and reassembled. The song in this number, "Like Real People Do" by Hozier, has the sweetest, strangest lyrics:

I had a thought, dear
However scary
About that night
The bugs and the dirt
Why were you digging?
What did you bury
Before those hands pulled me
From the earth?
I will not ask you where you came from
I will not ask you and neither should you
Honey just put your sweet lips on my lips
We should just kiss like real people do

Here it is in its entirety, if you'd like to listen.



As always, if you can't see the videos, go to my Blog Actual.

Just a Little Dance

Tui and I have been watching So You Think You Can Dance religiously for a bunch of years now. We have opinions and strong feelings. We are experts.

At the moment, the show is in the midst of its eleventh season. For all these seasons, we've watched one group number a week, which is a lot of group numbers, and I just want to state, for the record, that my favorite group number remains the original, Top 10 performance from Season 2, choreographed by Wade Robson and danced to Roisin Murphy's "Ramalama (Bang Bang)." For old times' sake, here it is. Sorry about the screaming. (If you can't see the video, go to my Blog Actual.)


A note to anyone who's been trying (and failing) to watch those dance videos –

I just discovered that Fox has started posting the SYTYCD dance routines on YouTube and enabling embedding, so I went back and revised all the links in my earlier post. I also embedded a few of the dances so you can watch them right on my blog. So, if you wanted to see them but Fox's website has been making it impossible, try again!

Money Memories. (Also, Dancing.)

When I was a little girl, probably six or seven, my mother sent me to school every day with my lunch and a quarter to buy milk. At some point, I figured out that if instead of buying milk, I saved my milk money for two days, I could buy an ice cream, which cost 45¢, instead. It was a magnificent discovery. I can't remember what I did with the extra 5¢, but as I was an arithmetically-inclined and goal-oriented child with clear priorities, I'm guessing that every 9th day, I added that day's 25¢ to the 20¢ accumulated over the last eight days and used it to buy an ice cream. I wish I could remember where I kept the money. I have a vague memory of a little oval green plastic change purse that opened like a fish's mouth when you squeezed the edges.

Then one day, one of my sisters caught me eating an ice cream she knew I wasn't supposed to be eating, and ratted on me. She ratted on me! What a lack of foresight. I'm sure it felt good to rat on me, but not nearly as good as it would have felt if she'd started saving her milk money to buy herself ice cream.

I'm reading a book called Emotional Currency: A Woman's Guide to Building A Healthy Relationship with Money, by Kate Levinson, who is a psychotherapist. It's a book that acknowledges something hardly anyone acknowledges: Money is emotional. Our attitudes toward money are deeply tied to our childhood experiences of money, our most complicated relationships, and, most likely, a lot of ingrained habits and unquestioned assumptions we would do well to examine more closely. (So far, I see no reason why this book should be only for women.)

***

This season of So You Think You Can Dance is flatly (and out of the blue) one of the best seasons ever. I'm so glad someone had the idea for previous contestants to come back as All-Stars, helping, and dancing with, current contestants. When they come back, they're all grown up, they're even better dancers, and I'm guessing they're a lot less stressed out; in a lot of cases, I like them so much more. Even the ones I loved from the start (like Travis, Twitch, Catherine, and PASHA), I like more!

(ETA: Hurrah! Fox has apparently gotten the message and made its videos available on YouTube – and for embedding. I've changed the links below so you don't have to deal with their crappy website, and embedded my favorite dances.)

This season, someone came up with the wonderful idea of an episode in which All-Stars both choreograph for and dance with the contestants. We viewers have gotten used to the stunning choreography of previous contestants Travis Wall (contemporary) and Dmitry Chaplin (ballroom), for example, but what fun to get to watch them dance again, and their own choreography, with current contestants! (Here's what happens when Mark Kanemura choreographs for himself and others.) Travis was always my favorite contestant the year he competed; what a pleasure to see him dance his own work with current contestant Amy Yakima. (I can't find a working clip, but Travis and Amy will certainly perform this dance again during the season finale on Tuesday.) (ETA: Yay! Here it is, and I'm embedding it below.)



Dmitry, on the other hand – I couldn't take Dmitry seriously when he was a contestant (because he was always ripping his shirt off. ALWAYS). How things have changed; Dmitry's rumba, which he choreographed for and danced with current contestant Hayley Erbert, knocked my socks off. (ETA: And now I've embedded it right here.)



I could link to twenty great routines from this season, but since Travis is a favorite of mine, I'll limit myself to two recent routines choreographed by him, just for fun. First, All-Star Robert Roldan and contestant Tucker Knox, in Travis's second beautiful routine for two men on this show. (If you only watch one routine, watch this one.) (ETA: Embedded below.)



Second – I've been waiting all season for contestants Fik-Shun and Jasmine Harper to dance together, because she is MUCH taller than he is, and the show tends to try to avoid matching tall women with short men. Travis did such a beautiful job choreographing them together in this "underwater" dance. These two contestants have been among my favorites from the beginning, and I have to say, for the world's most adorable hip-hop dancer, I'm always amazed at the way Fik-Shun can inhabit serious roles. (ETA: The routine embedded here.)



Finally, since this post is already a mess of edits and weird formatting, it seems like a good moment to remind those readers who receive my posts as emails that if you can't see the videos I've embedded, just go to my Blog Actual.
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